Spike Watches as Kanye Drowns in a Pool of his Own Egotism

The recent collaboration between ubiquitous director Spike Jonze and rap-star extraordinaire Kanye West has recently found its way to the suffocating glory that is the World Wide Web. This is the second time Jonze and Spike have joined arms, the first being for Kanye’s video clip ‘Flashing Lights’. The eleven minute-short titled 'We Were Once a Fairytale' shows a tuxedo-clad Kanye on a night out after a couple too many. His eyes are glazed over and his attempt at singing along to his own song ‘See You in My Nightmares’ is a dismal failure. Unimpressed club patrons humour the star as he struggles to hold himself up, while simultaneously fondling any pretty girl that enters his blurred vision. Although his determination prevails, or so he thinks, as he ends up making love to a beautiful woman donning a tight leopard-skin mini. However, moments later he awakes; strewn face-down, across a leopard skin couch with his pants around his ankles. It seems Mr West became a little more than acquainted with the wildly-spotted pillows. Dazed he re-enters the party scene and heads straight to the bathroom, only to violently vomit up what seems to be rose-coloured petals. After spotting a dagger on the ground he proceeds to cut open his insides, cue more rose petals, until finally we hear the sound of a blade to an umbilical cord. What’s on the other end? Clasped within West’s grasp is a tiny troll-like creature, who looks despondently at his incubator as he is handed a mini dagger. With a knowing yet sympathetic demeanour West looks on as the creature offs himself. It’s all about killing the demons within? Ya dig?

This mini-film comes riding on the back-tail of the VMA Taylor Swift storm, yet was made in January; almost a year before the loud-mouth antagonist unexpectedly joined the precocious country curl on stage. In West’s defence this episode only propelled Swift into a sphere of mass publicity which only Kanye holds the key to.

Director Spike Jonze does an amazing job at portraying the singer as a lost and confused soul. The victim of his own doing, he is drowning in a pool of egotism; the very core of his existence. Ever since his inception as Kanye West ‘the entertainer’ he has never been one to shy away from self-deprecation. In 'We Were Once a Fairytale' West’s believable portrayal of himself, a conceded materialistic ponce, ironically makes him endearing to the viewer. Jonze enables the viewer to feel sorry for the ostentatious star who is so self-aware yet so obliviously unaware of reality, that self-effacement seems to be his only salvation.

**Disclaimer: After the Taylor Swift Affair Kanye suffered an identity crisis and in turn cancelled his tour with Lady Gaga and access to the West/Jonze video.